Magazines, newspapers:

Paride D’Alessandro, “Boundary Issues”, Segno, February 27th, 2017;
Laura Lombardi, “Piattaforma abitativa”, Il Giornale dell’Arte.com, October 27th 2016;
Matteo Innocenti, “A Place to Be. Unitè d’habitation (Platform) di Paolo Parisi, October 2016;
Cornelia Lauf, M Giovanna Virga, “Sicily Rising!”, in Art & Documentation / Sztuka i Dokumentacja, Łódź Academic Journal, 2015

Susanna Crispino, “Between Objectivity and Wonder. Light, color, perception, experience, communication, habitability and modernist legacy: a journey into Paolo Parisi painting”, TK-21 La revue, n°41, December 2014;
AA.VV., “Paolo Parisi. Galleria Cavour, Bologna”, Undo.net, January 26 2012;

Julia Draganović, (curated by), “On board the Heart of Gold”, Art Fair-Art First, Bologna 2012.
Daniela Bigi, (curated by), “…e il pulviscolo atmosferico”, interview on Arte e critica n° 68, Fall 2011;
Egle Prati, “Paolo Parisi”, interview, Talking Art. Voci del contemporaneo, 2011;

AA.VV., “Frequenze blu a Palermo. Al Museo Riso arriva la macchina sonora/luminosa di Paolo Parisi e Massimiliano Sapienza (Blue frequencies in Palermo. At Riso Museum arrives the sound/light machine by Paolo Parisi and Massimiliano Sapienza)”, Artribune, 21 September 2011
Helga Marsala, “Commonplace. Quel luogo comune tra pittura e architettura”, Wednesday 15 June 2011, Artribune
Larry Bolognesi, “Report – Paolo Parisi – Commonplace (Unite D’habitation)”, http://tv.exibart.com;
Anna Santomauro, “Broken Fall (Organic)”. Metafore in caduta libera”. Arte e Critica n° 66, March-May 2011
Helga Marsala, “E anche Paolo Parisi si defila da Padiglione Italia”, Artribune, May 2011

Lorenzo Bruni, “Toscana oggi”, Flash Art n° 292, April 2011
Lorenzo Bruni, “Alla maniera d’oggi. Base a Firenze”, Flash Art n° 282, April 2010;
AA.VV., “Alla maniera d’oggi. Base a Firenze”, Mousse magazine, March 2010;
Giovanna Canzi, “Firenze: quando passato e presente si prendono per mano”, February 4th, 2010, Il Sole24ore.com;

Francesco Fossati, “Base / Progetti per l’arte”, intervista su E il Topo, Anno XIX, n° 11, Milano 2010;
Elena Magini, “Alla maniera d’oggi. Base a Firenze”, OVO n°3, March 2010.
Francesco Fossati, “Alla maniera d’oggi. Base a Firenze”, interview in OVO, n°2, Firenze, February 2010.
Lorenzo Bruni, “Paolo Parisi. Punto di vista fisico”, interview, in Flash Art Italia n° 279, December-January 2010.
Nadia Lionello, “Poveri ma belli”, Interni, n°9, September 2009.
Stefano Pezzato, “Paolo Parisi. Observatorium (Museum)”, Carte d’arte Internazionale, Winter 2009;
Donata Panizza, “Paolo Parisi”, Exibart.onpaper, n° 52, October 2008;
Guido Molinari, “Geografie”, Flash Art n° 266, October-November 2007.
Donata Panizza, “Pointing Painting”, Exibart.com.
Christian Calandro, “Open Air”, Exibart.com, 25/5/2007;
Lorenzo Bruni, “Observatorium – gegen den Strom”, Tema Celeste n° 118, October – December 2006.

Pirkko Rathgeber, „Paolo Parisi al Lenbachhaus di Monaco“, Flash Art n° 260, October – November 2006.
Martin Blättner, „Paolo Parisi. »Observatorium – Gegen den Strom«, Lenbachhaus, München“; Kunstforum International°182, Oktober – November 2006.
Luitgard Koch, „Observatorium…“, Financial Times Deutschland, 30/8/2006.
Hanne Weskott, Im Inneren des Vulkans“, Süddeutsche Zeitungn° 190, 19/20 August 2006.
Alexander Altman, “Gebannter Lockruf der Entgrenzung“, Bayerische Staatszeitung, 18/8/2006.
Joachim Goetz, „Unberechenbar vie die Natur Siziliens“, Donaukurier, 2/8/2006.
Jörg Restorff, Kunstzeitung, 6/120, 2006.
Silke Denecke, “Im Innern des Vulkans”, Artnet; 12 luglio 2006.
Barbara Reitter-Welter, “Beobachter des Vulkans”, Welt am Sonntag, München/Bayern, 25/6/2006.
Barbara Reitter, „Das Dröhnen des Vulkans“, Südwest presse, 24/6/2006.
Simone Dattenberger, „Das Grollen des Ätna“, Münchner Merkur, 23/6/2006.
AAVV, „Paolo Parisi“, Kunst Aktuell n°4/2006
Silvia Freiles, “Paolo Parisi. »…tra rosso e violetto«, Galleria Gianluca Collica, Catania”, in Arte & Crtitica n° 47, July-September 2006.
Daniela Lotta, “Ad’A. Area d’azione”, recensione, in Flash Art, n° 254, ottobre- novembre 2005.
Daniela Cascella, “Conservatory (San Sebastiano)”, recensione, in Contemporary, n° 73, London, July, 2005.
Francesco Marmorini, (a cura di), “Quarter. Progetto Arte”, intervista a Sergio Risaliti, Arte & Critica, n° 43, July-September, 2005.
Massimiliano Tonelli, (a cura di), “Rinascimento 2005”, interview a Sergio Risaliti, Exibart.onpaper n°20, December – January 2005.
Desdemona Ventroni, “Paolo Parisi / Nicola Fornello”, in Tema Celeste, n° 106, November/December 2004.
Saretto Cincinelli, “Paolo Parisi / Nicola Fornello, Prato”, review, in Flash Art n°247, August-September 2004
Alberto Mugnaini, “Moto a luogo”, in Flash Art n° 243, Milano, November-December 2003
Lorenzo Bruni, “Il presente della realtà visibile”, in Arte e Critica n°35-36, Roma, October-December 2003
Saretto Cincinelli, “L’invenzione di un confine”, in Flash Art n°239, Milano, April-May 2003, p.100
Luca Panaro, “Paolo Parisi”, interview, Intervistalartista.com, May 6 2002;

Luca Panaro, “Paolo Parisi”, in Flash Art n° 234, Milano, June-July 2002
Angela Madesani, “Apriamo la gabbia dell’astrazione”, in Ipso Facto n° 11, Bergamo, September – December 2001.
Ariane Grabher, “Landschaften, von Farbe zugedeckt, VN, Bregenz, March 22 2001.
Ilse E. Sperling, “Nüchtern und sinnlich”, Neue, Wien, March 22 2001.
Paolo Parisi, I ferri del mestiere, in Ipso Facto, n° 7, Bergamo, May – August 2000.
Anna Cirignola, Abitanti, Flash Art, n° 214, Milano, February – March, 1999.
Diletta Borromeo, Un’aura intorno, intervista, in Opening, n° 35 – 36, Roma, Fall – Winter, 1998.
Stefano Chiodi, Paolo Parisi, Tema Celeste, n° 68, Siracusa, May – June, 1998.
Chiara Coronelli, La profondità delle superfici, Il Sole 24 Ore, Milano, July 6 1997.
Teresa Macrì, Le meraviglie dello Spasimo, Il Manifesto, Roma, July 18 1997.
Paolo Parisi, progetto per Centoerbe, Centoerbe n° 6, Roma, La Nuova Pesa, 1997.
Alessandro Querci, L’altra aura, in Flash Art, n° 181, Milano, February, 1994.
Enzo Tomasello, Paolo Parisi geografo neo-moderno, Kaleghé, n° 3, Palermo, September, 1993.

Books and catalogues:

Giacinto Di Pietrantonio, Simone Ciglia; (curated by), “Fuori Uso 2016. Avviso di Garanzia”, exhibition catalogue, Pescara, July 2016.
Andrea Bruciati, Helga Marsala; (curated by), “Le stanza d’Aragona. Pratiche pittoriche all’alba del nuovo millennio / The Rooms of Aragon. Pictorial Practices at the Dawn of the New Millennium”, published by Rizzuto Gallery, Palermo, January 2016

Corgnati, M; Iovane, G.; (curated by), “Masterpieces from the Farnesina Collection. A Glance at Italian Art from the Fifties to the Present Day”, exhibition cat. MSU Museum of Contemporary Art, Zagreb , October 2015
Marco Bazzini; (curated by) “Alla maniera d’oggi. Base a Firenze”, exhibition cat. With texts by Marco Bazzini, Lorenzo Bruni, Center for Contemporary Art L. Pecci, Prato, May 2015
Luca Panaro, “Visite brevi”, Editrice Quinlan, 2015
Lorenzo Bruni, (curated by), “Paesaggi | Landscapes”, edition for Arte Fiera 2013, Enrico Astuni Gallery, Bologna, January 2013
Giacinto Di Pietrantonio, Francesca Referza, (curated by), “Interferenze costruttive. Artisti in residenza in azienda”, Malvina Menegaz Foundation for the Arts and Culture, Castelbasso (TE), June 2011.
Giovanni Iovane, Alessandra Pace, (curated by), “Broken Fall (Organic)”, 2011, Galleria Astuni, Bologna, febbraio 2011.
Lorenzo Bruni, (curated by), “This is my reference / Questo è il mio riferimento”, Galleria Astuni, Bologna, gennaio 2011.
Duccio Trombadori, (curated by), “Sicilia sopra tutti / Above All / Au-dessus de tous / Über Alles”, Edizioni Publinews, Catania, dicembre 2010.
Giovanni Iovane, Alessandra Pace, “Broken Fall. Rise and Fall of Pictures”, page: 158 and texts, Silvana Editoriale, Cinisello Balsamo, November 2010;
Fabio Cavallucci, (curated by), “Post Monument. XIV Internazionational Sculpture Biennale of Carrara”, Silvana Editoriale, Cinisello Balsamo, June 2010;
Marco Bazzini, Stefano Pezzato, (a cura di), “Centro per l’arte contemporanea Luigi Pecci. La collezione”, Giunti, Firenze 2009;
Stefano Pezzato, (curated by), “Paolo Parisi / Observatorium (Museum)”, exhibition catalogue, with texts by Saretto Cincinelli, Salvatore Lacagnina, Edizioni del Centro per l’Arte Contemporanea Luigi Pecci, Prato, September 2008;
Marco Bazzini, (curated by), “Italian Genius Now”, cat. mostra Museum of Fine Arts, Hanoi, September-October 2007.
Beatrice Buscaroli, (curated by), “Generazione astratta parte IV”, exhibition catalogue, C. C. Le Ciminiere, Catania, October 2007.
Marinella Paderni, Isotta Saccani, (curated by), “Open Air”, exhibition catalogue Orto Botanico, Parma, May 2007.
Helmut Friedel, (curated by), “Observatorium – gegen den Strom”, exhibition catalogue Städtische Galerie im Lenbachhaus, München, with texts by Helmut Friedel, Giovanni Iovane, Sergio Risaliti, Edizioni Periferia, Lucerna, June 2006.
Sergio Risaliti, (a cura di), “Quasi l’infanzia – i bambini e lo sguardo dell’artista”, exhibition catalogue, Sala d’arme di Palazzo Vecchio, Firenze, with texts by Geraldina Fietcher, Pietro Gaglianò, Lorenzo Pallini, Sergio Risaliti, Simone Siliani; Bandecchi e Vivaldi, Pontedera, June 2006.
Marco di Capua, Giovanni Iovane, Lea Mattarella, (a cura di), “Metropolitanscape. Paesaggi urbani nell’arte contemporanea”, exhibition catalogue, Palazzo Cavour, Torino, with texts by curators and Ada Masoero, Alessandra Pace, Sandi Hilal and Alessandro Petti, Mario Desiati; Silvana Editoriale, Cinisello Balsamo, MI, March 2006.
Lelio Aiello, Sergio Risaliti, (curated by), “Allineamenti”, exhibition catalogue, Trinitatiskirche, Köln, Maschietto Editore, Firenze, October 2005.
Sergio Risaliti, (by), “Conservatory (San Sebastiano)”, ’s cat. (libro + CD), with texts by Daniela Cascella, Pietro Gaglianò, Giovanni Iovane, Sergio Risaliti, Maschietto Editore, Firenze, October 2005.
Roberto Daolio, (curated by), “Ad’a. area d’azione”, exhibition’s cat., with contributions by Valter Galavotti, Claudia Baroncini, Musei Civici di Imola, June 2005.
Elena Volpato, (curated by), “Tristram Shandy: un concettuale del Settecento”, exhibition’s cat., Biblioteca Comunale, Corbetta (MI), May 2005.
Sergio Risaliti, (curated by), “Working Insider”, exhibition’s cat. and workshop, with texts by J. L. Nancy, G. Matt, S. Givone, E. Del Drago, C. Corbetta, R. Caldura, J. Burckhardt, A. Bonito Oliva, D. Bianco, M&M, Firenze, 2003.
Ambra Stazzone, (curated by), “Paradise lost”, exhibition’s cat., with a text by Roberto Daolio, Bologna 2002.
Saretto Cincinelli, Ambra Stazzone, (curated by), “Au rebours (dalla camera chiara all’immagine del mondo)”, exhibition’s cat., G. C. A. C. Castel San Pietro Terme, with an essay by Alessandro Sarri, Bologna April 2002.
Sergio Risaliti, (curated by), “Toscana Contemporanea, 1980/2001”, with contributions by AA. VV., M&M, Firenze, 2002.
Marion Ackermann, Giovanni Iovane, (curated by), Leggerezza, Ein Blick auf zeitgenössische Kunst in Italien, exhibition’s cat., Städtische Galerie im Lenbachhaus, Monaco, November 2001, with an essay by Helmut Friedel.
Marco Bazzini, Bruno Corà, Mauro Panzera, (curated by), Abitanti, Arte in relazione, exhibition’s cat., Gli Ori, Prato, October 2001, with an essay by Chiara D’Afflitto.
Saretto Cincinelli, Paolo Parisi: monocromi provvisori, in “Paolo Parisi, One close to the other (about landscape and architecture)”, exhibition’s cat., Teseco, Firenze, March 2001, with an essay by Ingo Springenschmid.
Giovanni Iovane, Leggerezza, un’idea dell’arte italiana, in Futurama, exhibition’s cat., Museo Pecci, Prato, July 2000.
Mauro Pratesi, (curated by), Il disegno in Toscana dal 1945 ad oggi, exhibition’s cat., essays by Enrico Crispolti and Angela Sanna, Siena, 1999.
Diletta Borromeo, Giovanni Iovane, “Paolo Parisi, 1999, Galleria Gianluca Collica, Catania/Base, Firenze, September 1999.
Elio Grazioli, (curated by), “Il punto”, 3rd edition, “L’opera, il discorso”, Galleria Continua, San Gimignano, November 1998.
Sergio Risaliti, L’opera d’arte nell’epoca dell’oblio e della riproducibilità, Note, in “Paolo Parisi, dicembre (intorno)”, exhibition’s cat., Galleria Marsilio Margiacchi, Arezzo 1998.
Diletta Borromeo, Maria Rosa Sossai, (curated by), Profonditàsuperficie, exhibition’s cat., Municipality of Palermo, 1997.
Piero Carini, (curated by), Ovunque posa l’occhio è l’incanto, exhibition’s cat., W.E.A., Milano September 1997.
Stefano Chiodi, Oscar, exhibition’s cat., Edizioni Galleria La Nuova Pesa, Roma 1997.
Cecilia Casorati, (curated by), exhibition’s cat., La battaglia di Cascina, quaderni di Centoerbe, La Nuova Pesa, Roma, June 1996.
Paolo Parisi, Pier Luigi Tazzi ,“Maggio 1996”, quaderni della galleria gianluca collica, n° 1, Catania September 1996.
Alessandra Scappini, (curated by), “Varchi possibili”, exhibition’s cat., Town Council of Empoli 1996.
AA. VV., (curated by), “Siracusa Arte in video”, exhibition’s cat., Città di Siracusa 1995.
Luca Beatrice, Guido Costa, Cristiana Perrella, Nuova Scena, Mondadori, Milano 1994.
Anna Cirignola, Marco Scotini, (curated by), Isole del disordine – Inseln der Unordnung, exhibition’s cat., with an essay by Bruno Corà, Town Council of Cortona 1994.
Bruno Bandini, (curated by), Personale, exhibition’s cat., essays by Lea Codognato and Martina Corgnati, Edizioni Galleria Andrea Cefaly, Catania 1993.
Lea Codognato, Alba Donati, (curated by), Una, exhibition’s cat., Firenze 1991.